The concept of a secret is fascinating; it can only exist if it is not brought into language, and can only be what it is if nobody mentions it. Jane Campion's new film The Power of the Dog is a phenomenal exploration of this, of the power given to what cannot be named. The film is about many things it never actually verbalizes, insisting on themes without persisting with them. It's about a gay relationship, but never speaks of it; it's about a murder plot, but never addresses it as such; it's about the Oedipal complex, but never mentions it; it's about a man's relationship with his mentor, but the mentor's never seen. The Power of the Dog is about Westerns, but is not a Western itself.
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