Making a masterpiece has its drawbacks — impressing people creates expectations. That's been the story of the critical response to Neil Marshall's filmography ever since he hit the scene with the one-two punch of Dog Soldiers and The Descent, two of the defining horror films of the 2000s. The Descent, especially, was so good that it conditioned people to expect the same thing from Marshall, but it's probably an anomaly in his career, not in terms of quality but in its sheer seriousness.
https://ift.tt/qAHIhrG
from MovieWeb - Movie Reviews | RSS Feed https://ift.tt/nacU5hF
No comments:
Post a Comment