Swedish auteur Ruben Östlund skewers the rich, wealth disparity, and gender dynamics in a wickedly funny black comedy. Triangle of Sadness, Östlund's second Palme d'Or winner at the Cannes Film Festival, had me laughing hysterically for the entire two-hour and twenty minutes runtime. Greedy and narcissistic one-percenters get a drastic comeuppance when the tables are turned. A sledgehammer satirical approach revels in portraying despicable behavior to its ugliest extent. Social media influencers also get clobbered in the melee. Their world of vapid self-promotion disintegrates with a harsh reality check.
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