Filmmaker Hong Sung-eun's feature directorial debut, Aloners, epitomizes the idea that cinema can be a universal language. Though she tells a distinctly Korean story, the questions of life — and, by extension, livelihood — that she explores can be applied to all of us, no matter where we find ourselves in the world. In this way, Hong effectively holds up a mirror to who and where we are as an increasingly disconnected society, tracing a line of beauty between what it means to be alone and what it means to be lonely, and, more importantly, what it takes to cross that line and open yourself up to those around you.
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