When Alfred Hitchcock experimented with the idea of a "one-shot film" in 1948, with the movie Rope, it befuddled many viewers and critics. If he was going to make a film, why would he modify its aesthetic to imitate a different medium entirely? Why would it be in real-time, woven together to fabricate the loose illusion that there are few if any cuts? At the time, the whole thing felt stagey and overly theatrical to people who probably would've preferred to just see the play in theaters.
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