Astrakan Review | French Impressionist Look at Troubled Youth Will Stick With You

Kids can be difficult, but so can our parents and guardians. Such notions are explored with an artistic hand in David Depesseville's debut narrative feature, which will be released Friday, Sep. 1. Astrakan — whose mystery of a title is finally revealed in the film's groundbreaking third act — is French Impressionism at its finest, chronicling hard-hitting, slow-burn sequences of a young orphan named Samuel (Mirko Giannini). It's an utterly realistic portrayal of youth in revolt that sheds light on the work of Francois Truffaut (The 400 Blows) and could even fit well into a Wes Anderson film — I'm looking at you, Moonrise Kingdom.

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