New Life, the debut feature-length offering from writer/director Jonathan Rosman, is yet another case of a film that's difficult to talk about without spoiling some of its key surprises. It's a genre film, of that there is little doubt, but it takes its time before becoming a horror movie and getting to the real frights, spending much of its first act instead resembling more of a traditional cat and mouse thriller, a la The Fugitive.
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