The Kill Room Review | Uma Thurman and Samuel L. Jackson Hilariously Skewer the Art World

Uma Thurman and Samuel L. Jackson reunite on screen for the first time since Pulp Fiction in a breezy black comedy that skewers the pompous art world. The Kill Room has a desperate, Adderall-addicted gallery owner, a beholden hitman, and a Black Jewish baker embroiled in a money-laundering scheme for the mob that hilariously spirals out of control. Graphic murders get an unexpected avant-garde display when fancy elites are enamored by the brutal honesty. The glaring spotlight on their illicit activities stirs up big trouble and forces the mismatched protagonists to concoct an even wackier escape strategy.


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