There is a lot that happens just within the first eight minutes of filmmaker Karl R. Hearne’s newest film, The G. Somewhere out in the woods, two ruthless hitmen bury a body that is still breathing. In an examination room, an older woman and her doctor have a tense conversation about her husband’s debilitating health. With a relation that is not yet known until later on, this same woman drives home with a younger female. Once they do arrive at their destination, someone in a van watches them from afar, not yet acting on any intent. Whether this bombardment of an intro was meant to be an allegory for senior citizens who suddenly find themselves in a whirlwind of a malicious situation, or it was all actually meant just as exposition, The G ends up successfully taking this harrowing concept and turning it on its head.
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